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You have to see it. He has that natural feeling about him when you see him on the screen as Bond, that attitude, style, confidence matched only by Sean COnnery.

The movie as a whole is extremely entertaining and exciting. The acting is awesome Eva Green actually does a great job and has really improved her acting from the last time i saw her in kingdom of heaven , but then this is a totally different movie.

I saw this at a cast and crew screening in London last weekend: The tone is much edgier and nastier than the Brosnan movies, harking back more to Dr.

No or For Your Eyes Only. The action sequences are brilliantly shot and edited for maximum impact and are some of the best out of any Bond movie.

What gives this the lead over recent Bonds is the more realistic feel: Yes, the whole franchise is based on an entirely ridiculous and cartoonish notion but the more serious and harder-edged tone works really well here.

In this context, Daniel Craig gives an excellent performance as Bond. Connery and Brosnan felt right for the style of Bond movies they were in.

Here, as suits the overall tone of the film, Bond is much more of a sadist, a cold-hearted killer with very little sense of empathy and Craig, with his piercing eyes, suits the role very well.

The violence is less cartoon-like and flippant, too, with every punch, kick and shooting looking like they really hurt.

The only minor gripes that I have are a slightly too long running time: James Bond is back and he is alive and well. I squirmed in my seat with delight as I have not done since I was a child.

However I like to think that someone actually just got their act together and concentrated on the film itself as opposed to who they could get the most product placement money out of.

James Bond will live on for at least one more generation, and maybe forever. Great set pieces and one of the best chase sequences not involving cars ever put on screen, blended with beautiful locations and even more lovely women add up to the perfect cocktail with the twisting story line acting as the lemon peel in the martini, holding it all together.

Many will come out saying that this is the best Bond film ever and I can not rightly say they are wrong at this point.

Only time will tell that tale. However every fan can be assured that this ranks amongst the very upper crust of Bond movies, and Craig is no Lazenby.

A masterpiece of popular film-making and the movie we have been waiting for all year. See it early and often as it is sure not to diminish upon reviewing.

Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with "that amateur".

Some biographies of Sellers suggest that he took the role of Bond to heart, and was annoyed at the decision to make Casino Royale a comedy, as he wanted to play Bond straight.

This is illustrated in somewhat fictionalised form in the film The Life and Death of Peter Sellers , based on the biography by Roger Lewis , who has claimed that Sellers kept re-writing and improvising scenes to make them play seriously.

This story is in agreement with the observation that the only parts of the film close to the book are the ones featuring Sellers and Welles.

Jean-Paul Belmondo and George Raft received major billing , even though both actors appear only briefly. Both appear during the climactic brawl at the end, Raft flipping his trademark coin and promptly shooting himself dead with a backward-firing pistol, while Belmondo appears wearing a fake moustache as the French Foreign Legion officer who requires an English phrase book to translate " merde!

At the Intercon science fiction convention held in Slough in , David Prowse commented on his part in this film, apparently his big-screen debut.

He claimed that he was originally asked to play "Super Pooh", a giant Winnie-the-Pooh in a superhero costume who attacks Tremble during the Torture of The Mind sequence.

The final sequence was principally directed by former actor and stuntman Richard Talmadge. The story of Casino Royale is told in an episodic format.

Val Guest oversaw the assembly of the sections, although he turned down the credit of "co-ordinating director". Sellers left the production before all his scenes were shot, which is why his character, Tremble, is so abruptly captured in the film.

Whether Sellers was fired or simply walked off is unclear. Given that he often went absent for days at a time and was involved in conflicts with Welles, either explanation is plausible.

The framing device of a beginning and ending with David Niven was invented to salvage the footage. He chose to use the original Bond and Vesper as linking characters to tie the story together.

In the originally released versions of the film, a cardboard cutout of Sellers in the background was used for the final scenes. In later versions, this cardboard cutout was replaced by footage of Sellers in highland dress, inserted by "trick photography".

Signs of missing footage from the Sellers segments are evident at various points. Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted.

As well as this, an entire sequence involving Tremble going to the front for the underground James Bond training school which turns out to be under Harrods , of which the training area was the lowest level was never shot, thus creating an abrupt cut from Vesper announcing that Tremble will be James Bond to Tremble exiting the lift into the training school.

So many sequences from the film were removed, that several well-known actors never appeared in the final cut, including Ian Hendry as , the agent whose body is briefly seen being disposed of by Vesper , Mona Washbourne and Arthur Mullard.

Bacharach worked over two years writing for Casino Royale , in the meantime composing the After the Fox score and being forced to decline participation in Luv.

Lyricist Hal David contributed with various songs, many of which appeared in just instrumental versions. It is played in the scene of Vesper Lynd recruiting Evelyn Tremble, seen through a man-size aquarium in a seductive walk.

It was heard again in the first Austin Powers film, which was to a degree inspired by Casino Royale. Bacharach would later rework two tracks of the score into songs: A clarinet melody would later be featured in a Cracker Jack commercial.

The original album cover art was done by Robert McGinnis , based on the film poster and the original stereo vinyl release of the soundtrack Colgems COSO That record has been regarded by some music critics as the finest-sounding LP of all time, and is still highly sought after by audiophiles.

The soundtrack album became famous among audio purists for the excellence of its recording. It then became a standard "audiophile test" record for decades to come, especially the vocal performance by Dusty Springfield on "The Look of Love.

The film soundtrack has since been released by other companies in different configurations including complete score releases.

The highly regarded master tapes were damaged, however, during a s remastering so none of the subsequent re-releases are considered to be as fine as the original LP release.

However, during filming the project ran into several problems and the shoot ran months over schedule, with the costs also running well over.

When the film was finally completed it had doubled its original budget. The problems postponed the launch until April No advance press screenings of Casino Royale were held, leading reviews to only appear after the premiere.

A few recent reviewers have been more impressed by the film. Andrea LeVasseur, in the AllMovie review, called it "the original ultimate spy spoof", and opined that the "nearly impossible to follow" plot made it "a satire to the highest degree".

Further describing it as a "hideous, zany disaster" LeVasseur concluded that it was "a psychedelic, absurd masterpiece".

It is the anti-auteur work of all time, a film shaped by the very zeitgeist it took on. In his review of the film, Leonard Maltin remarked, "Money, money everywhere, but [the] film is terribly uneven — sometimes funny, often not.

Fox has since been responsible for the debut of the Casino Royale on Blu-ray disc in From Wikipedia, the free encyclopedia.

This article is about the film. For the film, see Casino Royale film. For other uses, see Casino Royale. British cinema poster by Robert McGinnis.

Famous Artists Productions [1]. James Bond portal s portal Film portal. These figures refer to rentals accruing to the distributors.

Retrieved September 12, Bisset, after playing the casino extra in early footage, was cast again as Miss Goodthighs.

The Encyclopedia of British Film. Federal Reserve Bank of Minneapolis. Retrieved 2 January Archived from the original on 14 March Retrieved 9 March When the Snow Melts: The Autobiography of Cubby Broccoli.

The Grey Fox of Hollywood. Archived from the original on 28 September Retrieved 13 September Archived from the original on 29 October Archived from the original on 13 April Retrieved 13 April Archived from the original on 24 September Archived from the original on 16 August Retrieved 25 July A Biography of Peter Sellers.

Casino Royale ". The Music of James Bond. Archived from the original on 4 March Retrieved 5 April Archived from the original on 19 January Retrieved 22 December The New York Times.

Archived from the original on 22 October Archived from the original on 19 August Retrieved 7 July Archived from the original on 12 January Retrieved 12 August The Postmodern Epic in Spite of Itself".

Bright Lights Film Journal. Retrieved 19 September Archived from the original on 30 September Retrieved 5 September

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